A Social History of Modern Art, Volume 2

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  • A Social History of Modern Art, Volume 2 Book Detail

  • Author : Albert Boime
  • Release Date : 1993-05-15
  • Publisher : University of Chicago Press
  • Genre : Art
  • Pages : 740
  • ISBN 13 : 9780226063362
  • File Size : 97,97 MB

A Social History of Modern Art, Volume 2 by Albert Boime PDF Summary

Book Description: In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon's seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor's propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain's Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates.—R. W. Liscombe, Choice

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A Social History of Modern Art, Volume 2

A Social History of Modern Art, Volume 2

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In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisio

A Social History of Modern Art, Volume 2

A Social History of Modern Art, Volume 2

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In this second volume, Albert Boime continues his work on the social history of Western art in the Modern epoch. This volume offers a major critique and revisio

Social History of Art, Volume 2

Social History of Art, Volume 2

File Size : 60,60 MB
Total View : 1185 Views
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First published in 1951 Arnold Hauser's commanding work presents an account of the development and meaning of art from its origins in the Stone Age through to t