Contrasted worlds in the fiction of J. K. Rowling

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  • Contrasted worlds in the fiction of J. K. Rowling Book Detail

  • Author : Isabelle Wagner
  • Release Date : 2008-02-19
  • Publisher : GRIN Verlag
  • Genre : Literary Criticism
  • Pages : 101
  • ISBN 13 : 3638007456
  • File Size : 98,98 MB

Contrasted worlds in the fiction of J. K. Rowling by Isabelle Wagner PDF Summary

Book Description: Thesis (M.A.) from the year 2001 in the subject English Language and Literature Studies - Literature, grade: 1,1, Saarland University, language: English, abstract: In my thesis, I will analyse the two contrasted fictional worlds that Rowling has created in the first four Harry Potter novels: the mundane Muggle world in which Harry first grows up and the fantasy world he enters once he has learned that he is a wizard. At first, I will establish a theoretical background, dealing with fantasy literature in general. I will give an idea of what constitutes a fantasy world and present several definitions of "fantasy" or "the fantastic". I continue with an attempt to define and locate the two worlds in the Harry Potter novels and to find out how they relate to one another. Inspired by Rosemary Jackson's theory about the fantastic as subversion, I would like to find out whether the wizarding world has any subversive potential. I will analyse why it initially appears subversive and whether or not it lives up to this impression. This will involve an examination of the educational and political system of the wizarding world. I will have a look at the concept of family that the novels promote, and questions of gender will be raised. The central question is: what does it mean to be different in the wizarding world? Is the wizarding world more open to otherness than the Muggle world seems to be? *** In meiner Magisterarbeit analysiere ich die beiden gegensätzlichen fiktionalen Welten, die Rowling in ihren Harry-Potter-Romanen geschaffen hat. Dabei bezieht sich die Arbeit auf die bis zum Erscheinungsdatum der Arbeit veröffentlichten Bände 1-4. Zunächst gebe ich einen sehr kurzen theoretischen Überblick über Fantasy-Literatur im Allgemeinen und und stelle verschiedene Definitionen des Fantastischen vor. Ich beschäftige mich mit der Lokalisierung und Beschaffenheit der beiden kontrastierten Welten in HP und erläutere, in welcher Beziehung sie zueinander stehen. Anknüpfend an Rosemary Jackson's Theory vom Fantastischen als Subversion, untersuche ich, ob Rowlings Zauberwelt tatsächlich subversives Potential besitzt. Dabei unterziehe ich das Schulsystem und das politische System der Zauberwelt einem kritischen Blick. Ich analysiere außerdem das Familienbild, das die Romane entwerfen und beschäftige mich mit Gender-Fragen. Die zentrale Frage ist, wie mit Anderssein in der Zauberwelt umgegangen wird.

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