Dancefloor-Driven Literature

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  • Dancefloor-Driven Literature Book Detail

  • Author : Simon A. Morrison
  • Release Date : 2020-05-14
  • Publisher : Bloomsbury Publishing USA
  • Genre : Music
  • Pages : 265
  • ISBN 13 : 1501357689
  • File Size : 42,42 MB

Dancefloor-Driven Literature by Simon A. Morrison PDF Summary

Book Description: Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.

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Dancefloor-Driven Literature

Dancefloor-Driven Literature

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Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmaker

Dancefloor-driven Literature

Dancefloor-driven Literature

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Considers club culture via the prism of the fictions written about the subculture - interrogating why, and how, authors write about electronic music as text

Dancefloor-Driven Literature

Dancefloor-Driven Literature

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Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmaker

Rave Days

Rave Days

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These are stories about the most important people at raves, the ones on the dancefloor, the ones who buy the tickets, and the ones who are often forgotten among