Film noir, which flourished in 1940s and 50s, reflected the struggles and sentiments of postwar America. Dennis Broe contends that the genre, with its emphasis
A deep-dive into the practice and execution of contemporary television viewing. Birth of the Binge: Serial TV and the End of Leisure describes and details seria
Class, Crime and International Film Noir argues that, in its postwar, classical phase, this dark variant of the crime film was not just an American phenomenon.
This timely new monograph takes as its starting point the provocative contention that Holocaust film scholarship has been marginalized academically despite the
