Disability and Art History from Antiquity to the Twenty-First Century

Released on by Ann Millett-Gallant
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  • Disability and Art History from Antiquity to the Twenty-First Century Book Detail

  • Author : Ann Millett-Gallant
  • Release Date : 2021
  • Publisher :
  • Genre : Art and society
  • Pages :
  • ISBN 13 : 9780367500450
  • File Size : 89,89 MB
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Disability and Art History from Antiquity to the Twenty-First Century by Ann Millett-Gallant PDF Summary

Book Description: "This volume analyzes representations of disability in art from antiquity to the twenty-first century, incorporating disability studies scholarship and art historical research and methodology. This book brings these two strands together to provide a comprehensive overview of the intersections between these two disciplines. Divided into four parts: Ancient History through the 17th Century: Gods, Dwarfs, and Warriors 17th-Century Spain to the American Civil War: Misfits, Wounded Bodies, and Medical Specimens Modernism, Metaphor and Corporeality Contemporary Art: Crips, Care, and Portraiture and comprised of 16 chapters focusing on Greek sculpture, ancient Chinese art, Early Italian Renaissance art, the Spanish Golden Age, nineteenth century art in France (Manet, Toulouse-Lautrec) and the US, and contemporary works, it contextualizes understandings of disability historically, as well as in terms of medicine, literature, and visual culture. This book is required reading for scholars and students of disability studies, art history, sociology, medical humanities and media arts"--

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The Disabled Body in Contemporary Art

The Disabled Body in Contemporary Art

File Size : 42,42 MB
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This volume analyzes the representation of disabled and disfigured bodies in contemporary art and its various contexts, from art history to photography to medic

Disability and Art History

Disability and Art History

File Size : 85,85 MB
Total View : 2437 Views
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This is the first book of its kind to feature interdisciplinary art history and disability studies scholarship. Art historians have traditionally written about