Identity Construct Dialectics

preview-18
  • Identity Construct Dialectics Book Detail

  • Author : Robert Cettl
  • Release Date : 2020-07-18
  • Publisher : Robert Cettl
  • Genre : Performing Arts
  • Pages : 35
  • ISBN 13 :
  • File Size : 59,59 MB

Identity Construct Dialectics by Robert Cettl PDF Summary

Book Description: This ebook contextualizes autoethnographic film in its appropriation of an epistemics of subjectivity. This is analyzed in terms of autoethnographic film’s methodological appropriation in systematic fourfold discourse construction relational to Maslow’s hierarchy of needs. Such discourse is constituted through autoethnographer-as-filmmaker participant-observer praxis of a “self-as-Other” identity-construct, the positionality and performativity of which enacts a progressive destabilization, deconstruction, reconstruction and self-actualization structural modeling of subjectivity epistemics through which to meta-textually engage the spectator. Autoethnographic film’s split from ethnographic film is correspondingly examined in deference to the central question of the representation of self-as-Other interpretivist phenomenology through montagist cinematic aesthetics which locate such praxis within a mimetic social reality the delimiters of which inform identity construct formation as context-specific variables. Examples are given from selected key ethnographic and autoethnographic film texts chronicling the still-evolving progression of ethnographic film into autoethnographic film as a specifically post-modern genre.

Disclaimer: www.yourbookbest.com does not own Identity Construct Dialectics books pdf, neither created or scanned. We just provide the link that is already available on the internet, public domain and in Google Drive. If any way it violates the law or has any issues, then kindly mail us via contact us page to request the removal of the link.

Identity Construct Dialectics

Identity Construct Dialectics

File Size : 12,12 MB
Total View : 7225 Views
DOWNLOAD

This ebook contextualizes autoethnographic film in its appropriation of an epistemics of subjectivity. This is analyzed in terms of autoethnographic film’s me