Ideology and Utopia in China’s New Wave Cinema investigates the ways in which New Wave filmmakers represent China in this age of neoliberal reform. Analyzing
In Postsocialist Conditions: Idea and History in China’s “Independent Cinema,” 1988-2008, WANG Xiaoping offers a comprehensive survey and trenchant critiq
Combining anatomies of textual examples with broader contextual considerations related with the social, political and economic developments of post-Mao China, X
Jia Zhangke is praised as “the most internationally prominent and celebrated figure of the Six-Generation of Chinese filmmakers”. This book provides an exam
This book examines Chinese films made and shown abroad roughly between the 1920s and the 2020s, from the beginning of the international exchange of the Chinese
