Imagination, Music, and the Emotions

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  • Imagination, Music, and the Emotions Book Detail

  • Author : Saam Trivedi
  • Release Date : 2017-08-07
  • Publisher : SUNY Press
  • Genre : Philosophy
  • Pages : 208
  • ISBN 13 : 1438467176
  • File Size : 16,16 MB

Imagination, Music, and the Emotions by Saam Trivedi PDF Summary

Book Description: Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content. Both musicians and laypersons can perceive purely instrumental music without words or an associated story or program as expressing emotions such as happiness and sadness. But how? In this book, Saam Trivedi discusses and critiques the leading philosophical approaches to this question, including formalism, metaphorism, expression theories, arousalism, resemblance theories, and persona theories. Finding these to be inadequate, he advocates an “imaginationist” solution, by which absolute music is not really or literally sad but is only imagined to be so in a variety of ways. In particular, he argues that we as listeners animate the music ourselves, imaginatively projecting life and mental states onto it. Bolstering his argument with empirical data from studies in neuroscience, psychology, and cognitive science, Trivedi also addresses and explores larger philosophical questions such as the nature of emotions, metaphors, and imagination.

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Imagination, Music, and the Emotions

Imagination, Music, and the Emotions

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Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content. Both musicia

Imagination, Music, and the Emotions

Imagination, Music, and the Emotions

File Size : 67,67 MB
Total View : 1554 Views
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Both musicians and laypersons can perceive purely instrumental music without words or an associated story or program as expressing emotions such as happiness an

Imagination, Music, and the Emotions

Imagination, Music, and the Emotions

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Articulates an imaginationist solution to the question of how purely instrumental music can be perceived by a listener as having emotional content.

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This new volume in the Series in Affective Science is the first book in over 40 years to tackle the complex and powerful relationship between music and emotion.

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How can an abstract sequence of sounds so intensely express emotional states? In the past ten years, research into the topic of music and emotion has flourished