Italian Modernisms

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  • Italian Modernisms Book Detail

  • Author : Sergio Poretti
  • Release Date : 2015-02-17T00:00:00+01:00
  • Publisher : Gangemi Editore spa
  • Genre : Architecture
  • Pages : 324
  • ISBN 13 : 8849297645
  • File Size : 36,36 MB

Italian Modernisms by Sergio Poretti PDF Summary

Book Description: The studies in this book focus on Italian twentieth-century architecture, in particular design and construction techniques. The descriptions of the worksites and building processes provide a much better and clearer picture of the different modernist styles that existed in Italy; they also reveal the ‘thin red line' that characterised an univocal construction method: mixed masonry enriched (and not replaced) by reinforced concrete – a technique well suited to small artisanal worksites. This was a mild version of modern construction, in line with the role construction played in slowing down an industrialisation process which in Italy was, in itself, slow. Each chapter illustrates a specific aspect of the history of construction and highlights several new issues involving architecture in general: the important tectonic similarities which one way or another link the Littorio style and the several different kinds of rationalisms in the thirties; the continuity between the autarchic experimentation and the techniques used in reconstruction; the connection between the large-scale works designed by engineers and the architectures of the fifties and sixties, which now appear to be one of the mainstays of the unique Italian Style.

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Italian Modernisms

Italian Modernisms

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The studies in this book focus on Italian twentieth-century architecture, in particular design and construction techniques. The descriptions of the worksites an

Italian Modernism

Italian Modernism

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Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde

Italian Modernism

Italian Modernism

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Italian Modernism was written in response to the need for an historiographic and theoretical reconsideration of the concepts of Decadentismo and the avant-garde