Ce volume présente les délibérations des Deuxièmes Rencontres Internationales harmoniques du printemps 2004. Les conférences ont été données par des exp
Thomas Hankins and Robert Silverman investigate an array of instruments from the seventeenth through the nineteenth century that seem at first to be marginal to
Music moves through time; it is not static. In order to appreciate music wemust remember what sounds happened, and anticipate what sounds might comenext. This b
The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music,
Musicians imagine music by means of functional models which determine certain aspects of the music while leaving others open. This gap between image and the exp
