The Europeanness of European Cinema

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  • The Europeanness of European Cinema Book Detail

  • Author : Mary Harrod
  • Release Date : 2014-12-19
  • Publisher : Bloomsbury Publishing
  • Genre : Political Science
  • Pages : 325
  • ISBN 13 : 0857738488
  • File Size : 14,14 MB

The Europeanness of European Cinema by Mary Harrod PDF Summary

Book Description: From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This book identifies the distinctive character of European cinema, both in films and as a critical concept, asking: what place does European cinema have in an increasingly globalized world? Including in-depth analyses of production and reception contexts, as well as original readings of key European films from leading experts in the field, it re-negotiates traditional categories such as auteurism, art cinema and national cinemas. As the first publication to explore 'Europeanness' in cinema, this book refocuses and updates historically significant areas of study in relation to this term. Leading scholars in European cinema - including Thomas Elsaesser, Tim Bergfelder, Anne Jackel, Lucy Mazdon and Ginette Vincendeau - acknowledge the transnational character of European filmmaking whilst also exploring the oppositions between European and Hollywood filmmaking, considering the value of the 'European' label in the circulation of films within and beyond the continent. The Europeanness of European Cinema makes a lively, timely intervention in the fields of European and transnational film studies.

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The Europeanness of European Cinema

The Europeanness of European Cinema

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From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more prominent, world-wide, than ever before. This boo

The Europeanness of European Cinema

The Europeanness of European Cinema

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From The Artist to The White Ribbon, from Oscar to Palme d'Or-winning productions, European filmmaking is more globally prominent than ever before. This book at

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European cinema not only occupies a dominant place in film history, it is also a field that has been raising more interest with the expanding work on the transn

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The State of European Cinema offers a critical review of the state of the industry at the close of the twentieth century. Finney spent two years researching and