The Production of Space and Subjectivity in Robert Hurst's "The Art of Urban Cycling".

Released on by Lindsay A. Shane
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  • The Production of Space and Subjectivity in Robert Hurst's "The Art of Urban Cycling". Book Detail

  • Author : Lindsay A. Shane
  • Release Date : 2009
  • Publisher :
  • Genre :
  • Pages : 644
  • ISBN 13 : 9780494524848
  • File Size : 47,47 MB
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The Production of Space and Subjectivity in Robert Hurst's "The Art of Urban Cycling". by Lindsay A. Shane PDF Summary

Book Description: In this thesis I examine the production of space and subjectivity in Robert Hurst's (2004) The Art of Urban Cycling: Lessons from the Street . Specifically, I utilizes Henri Lefebvre's (1991) spatial triad---spatial practices, representations of space, spaces of representation---as a tool for exploring Hurst's text in order to comment on the potential of his 'art' to enable urban utilitarian cyclists to overcome their physical and social marginalization within the current road system. Drawing on insights offered by scholars in the fields of political philosophy, postcolonial, anti-racist and whiteness studies, I primarily focus on the way Hurst's text is animated by a logic of hegemonic whiteness and the formation of a corresponding white subjectivity. I argue that cyclists who are able to orient themselves towards, and/or best approximate the values and bodily disposition of the hegemonic white subject, will find it easier to negotiate the urban streetscape.

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