First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from
First published in 1981, this book represents the first work in English to give a comprehensive account of the revolutionary developments in German theatre from
Conclusion -- Appendix 1 Theatre Rules for the Mannheim National Theatre (1780) -- Appendix 2 Instructions regarding committee meetings (1782) -- Chronology 176
Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an i
