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Interprets the use of classical music in postwar German cinema.
Interprets the use of classical music in postwar German cinema.
Is there an acoustical equivalent to Walter Benjamin’s idea of the optical unconscious? In the 1930s, Benjamin was interested in how visual media expand our o
In a major expansion of the conversation on music and film history, The Routledge Companion to Global Film Music in the Early Sound Era draws together a wide-ra
Music, the Moving Image and Ireland, 1897–2017 constitutes the first comprehensive study of music for screen productions from or relating to the island. It id
The first book to study women's poverty over the life course, this wide-ranging collection focuses on the economic condition of single mothers and single elderl