Conrad and Impressionism

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  • Conrad and Impressionism Book Detail

  • Author : John G. Peters
  • Release Date : 2001-03-15
  • Publisher : Cambridge University Press
  • Genre : Literary Criticism
  • Pages : 222
  • ISBN 13 : 1139432125
  • File Size : 72,72 MB

Conrad and Impressionism by John G. Peters PDF Summary

Book Description: In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.

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Conrad and Impressionism

Conrad and Impressionism

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In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and pol

Conrad and Impressionism

Conrad and Impressionism

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John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. He in

Conrad and Impressionism

Conrad and Impressionism

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John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impre

What Was Literary Impressionism?

What Was Literary Impressionism?

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“My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel—it is, before all, to make you see. That—an