Costume in Performance
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Winner of Best Performance Design and Scenography Publication Award, Prague Quadrennial 2019 This beautifully illustrated book conveys the centrality of costume
Winner of Best Performance Design and Scenography Publication Award, Prague Quadrennial 2019 This beautifully illustrated book conveys the centrality of costume
Costume is an active agent for performance-making; it is a material object that embodies ideas shaped through collaborative creative work. A new focus in recent
The Costume Supervisor’s Toolkit explores the responsibilities of a Costume Supervisor within a theatrical, opera or dance production company. Rebecca Pride p
Costume Design for Performance offers a detailed insight into the creative process behind designing costumes for the performing arts, including theatre, opera,
Costumes designed and made for devised or physical drama, for contemporary circus or for dance, differ radically from the more traditional costume work produced