The New Generation in Chinese Animation

The New Generation in Chinese Animation

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In 1995 Chinese animated filmmaking ceased to be a state-run enterprise and was plunged into the free market. Using key animated films as his case studies, Shao

Between Film, Video, and the Digital

Between Film, Video, and the Digital

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Encompassing experimental film and video, essay film, gallery-based installation art, and digital art, Jihoon Kim establishes the concept of hybrid moving image