The Epic Film in World Culture

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  • The Epic Film in World Culture Book Detail

  • Author : Robert Burgoyne
  • Release Date : 2011
  • Publisher : Taylor & Francis
  • Genre : Performing Arts
  • Pages : 391
  • ISBN 13 : 9780415990172
  • File Size : 90,90 MB

The Epic Film in World Culture by Robert Burgoyne PDF Summary

Book Description: With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemporary cinema. This new volume in the AFI Film Readers series explores the rebirth of the epic film genre in the contemporary period, a period marked by heightened and conflicting appeals to national, ethnic, and religious belonging.The orginal essays in this volume explore the tension between the evolving global context of film production and reception and the particular provenance of the epic as an expression of national mythology and aspirations, challenging our understanding of epics produced in the present as well as our perception of epic films from the past. The contributors will explore new critical approaches to contemporary as well as older epic films, drawing on ideas from cultural studies, historiography, classics, and film studies.

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The Epic Film in World Culture

The Epic Film in World Culture

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With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemp

The Epic Film in World Culture

The Epic Film in World Culture

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With the recent release of spectacular blockbuster films from Gladiator to The Lord of the Rings trilogy, the epic has once again become a major form in contemp

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Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic

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With the success of Gladiator, both critics and scholars enthusiastically announced the return of a genre which had lain dormant for thirty years. However, this

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Examines how popular culture has shaped the ways Americans define their "interests" in the Middle East. Author McAlister argues that U.S. foreign policy, while